[推荐]：2003晶艺杯(全部免币)

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作业名称：游走校园—浙江省普陀中学改扩建工程
作业完成时间及所在年级：2003年6月，建筑学专业98级
作业时长：2003年2月～2003年6月
学生姓名：徐蕴芳
指导教师：莫天伟
学校及院系全名：同济大学建筑系
设计的简要说明：这是浙江省普陀中学的改扩建工程。建设内容包括体艺馆、教师行政办公楼、游泳池等。合计扩建建筑面积约为6500平方米。设计通过实施改扩建工程改善了校园空间结构，并考虑了经济性和可操作性。

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(8/13)--1/6

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(8/13)--3/6

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作者名称：蜑家榭祠 - 个人.建筑.承传 |  Tanka Water Sanctorum- Human Individuality - Architecture - Inheritance
作业完成时间及所在年级：April,2003 / 5年级
作业时长：September,2002 - April,2003
学生姓名：叶小卡  YIP Siu Ka
指导教师：Gladys MASEY-MARTINEZ
学校及院系全名：香港中文大学  建筑系 |  The Chinese University of Hong Kong, Department of Architecture
设计的简要说明：
从<<论语>>到Hans-Georg Gadamer对「传统」之阐释都以「变」为重心，而「个人性」而来的无限变量，正正令继承传统于概念上从「保存」转化成「可持绩发展」。而本研究计划就尝试探讨建筑在「个人性与承传」此课题上之角色与可能性。
1.> 「窗」的象征意义看「个人性与建筑」(Vedio CD, track 1- P01)
研究的第一部分先利用「窗」的定义看「个人性与建筑」的关系，以解构我们普遍对「窗」习以为常的象征意义，而从新认识如何为自己「定义」，甚至「命名」周边的空间或现象。以达致不同人于同一空间拥有不同印象的效果。
2.> 基地 - 香港长洲
研究的第二部分主要以选择和分析存有强烈传统文化背景-香港长洲，作为有利于探讨本课题的基地。
3.> 目标社群 - 蜑家人
研究的第三部分目的在于找出长洲里具有代表性的目标社群-蜑家人。蜑家人本为水上原居民，却因经济转型而迁居陆上的贫民区。年青一辈的蜑家人既不认识自己的传统水上文化，亦不能融入其它宗族社群，而迷失身分。
4.>「传统」的定义
研究的第四部分尝试了解「传统」的定义。
5.> 从古代宗祠的角色定立设计方案
研究的第五部分尝试分析古代宗祠的角色与功能，以智能与经验演绎以往袓先的权威，以定立一个能够既能象征蜑家文化，亦可符合当代社会功能的设计方案。
6.> 空间之关系与特质
研究的第六部分主要设计空间之间的关系与特质，建立个人与空间的关系，功能上则尝试满足蜑家人日常习俗之需要，和配合长洲旅游业之发展。
7.> 「榭祠」与 「五环」(Vedio CD, track 2- P03)
研究的第七部以「榭祠」与「五环」的概念建立了海陆之间，蜑家与其它社群的关系；海空之间，人与传统智能的连系。错综的「视线布局」，分化每个人对传统不同的经验与体会，以刺激新思想的注入。
8.> 环保概念与细部设计
研究的第八部分尝试整合环保概念于整个设计方案上。间隔设计上不仅提供错综的「视线布局」，亦尝试雕刻自然光的戏剧效果, 从里到外，螺旋形的格局产生多层的空间关系，而最后表现于榭祠立面之上。
9.> 反思传统木结构之逻辑与特色
研究的第九部分反思传统木建筑的结构特色，重组于现代建筑技术与逻辑之中。结构分成三部分：钢铁与木的组合以斗拱式排列，组成主力架构，坐于五点混凝土地基上，以腾出海面上的空间。最后，木的部分延伸成纯木的架构与细部修饰，建立了以木为主观感。

Design Concept & Methodology:
This project is trying to express and cultivate human individuality through architecture as an element to maximize the possibilities of redevelopment during the process of tradition inheritance.

I.         Window -  behind the iconic meaning
Window is a name, a meaning given to a physical void in architecture by human beings. It does not exist physically, but spiritually in the memory of the definer. So, it may not take form. Beyond providing lighting and ventilation, window can be a metaphor of human existence by process of thinking and imagination. It is a communicator towards our mind and it cultivates our individuality.
Standard architectural elements are mostly shared certain common features or proportions which easily related to certain common icons of meaning. Those standard elements limit their possible meanings and usage, and affect the process of redefinition. Design start from the small scale of primitive material, this I believe, has much more possibilities and less assumption to start with.
Naming is an invitation to re-learn qualities through the way we resonate with them as well as the way other cultures and other people do. By the process of naming, physical existence is transformed into a unique personal memory - it is a way to achieve human individuality in architecture
( Refer to Vedio CD, track 1- P01)

II.        Selection of site - Cheung Chau
Cheung Chau
- a background to illustrate the dialogue between human Individuality and tradition inheritance.
Cheung Chau is 10km south west of Hong Kong Island. The total area is 2.4 sq. km with more than 30000 residents. It is the most densely populated outlying island. Though Cheung Chau is far from the city center, with the natural endowment - the wide and deep bays, it was and is the marketplace where fishermen and merchants get together.
Site Problem
-Confusion of cultural identity resulting from contradiction between tradition ethical system & contemporary individualism
a.        decay of  clannish community
b.        social structure spited into units of individual family
c.        decay of traditional rituals
d.        loosen of community cohesion and lost of traditional lifestyle
e.        lost of identity of the youngsters

III.        User Group - Tanka
Tanka is a fishing community, which is one of the main clan in Cheung Chau. Hundred years ago, they are boat-dwelling families with unique living style and tradition, but always be the inferior group. Their identity and individuality has always been suppressed.
Nowadays, due to the social and economical changes, they gradually lose their own lifestyle after moving from sea to land. Their tradition just exists in the memory of the elder. The youngsters can hardly understand their own tradition.

IV.        Definition of "Tradition"- Inheritance or Preservation?
Hans-Georg Gadamer asserts:
"tradition is constantly an element of freedom and of history itself. Even the most genuine and solid tradition does not persist by nature because of the inertia of what once exist. It needs to be affirmed, embraced and cultivated."
This concept considers tradition as a continuity & development through time and space. Change & stability, renewal & restoration, progress & and stasis are implied.

V.        Role of Ancestral Hall in the past & Design Proposal
Role of Ancestral Hall in the past
-Symbolical identity of clan
-Through worshipping, thoughts of one clan was being inherited which ensured the continuity of one clan's culture
-Clannish management
-Assisting clansman by providing  financial support, temporary accommodation and work
-Image of one clan and bridge with others
-Inheritance and Redevelopment
Design Proposal:
It is proposed to reinforce the value of clannish community in Cheung Chau by re-interpreting the memory and function of traditional ancestral hall in contemporary life.
Strategy
Role of ancestor, representing the spirit of the clan, is replaced by repository of clannish records which means experience & knowledge.

VI.        Programme
Zone 1 * Hall
Study Hall | Main entrance | Side door | Courtyard | Boat Parking | Foyer | Sitting Space | Front Stage | Back stage | Control room | Projection Room | Preparation Room | Changing room | Toilet | Store room |
Zone 2 * Clannish Library
Clannish Library | Repository of ancient records | Reading Space| Store room
Zone 3 * Exhibition Space
Corridor | lingering foyer| Store room
Role of clannish sanctorum in 3 levels:
1>Tanka individuals- inheritance & redevelopment  
2>Tanka clan - To encourage  the unique clannish rituals, activities & entertainment
- To reinforce sense of clannish community
3>Public - To build up a relation between Tanka and others clans
To provide clear image of Tanka clan to the public.

VII.         Spatial Sequence
The 1st layer        : from sea / from land - a  sense of hovering
The 2nd layer : from sea to air - a  sense of elevation
The 3rd layer : spiral plan - a  sense of centrality
The 4th layer : Confined space - a  sense of origin
The 5th layer : from human to sky - a  sense of in-between
( Refer to Vedio CD, track 2- P03)

VIII.         Environmental Strategies & Details - Facade, Partitions, Furniture
The main wooden features are mainly composed by stacking up of structural plywood. The Plywood panels are twisted with different angles in order to provide different view angles composition for the viewer with different position in front of it. I at the same time integrated the concern of Natural Lighting, Natural Ventilation,
Besides, as the repository of clannish records required humidity control, the design try to minimize its volume in a C- shaped form and was protected from direct radiation of sun by the 2 layer of roofs. Other space like office, classroom, reading room, accommodations, control room, sw room and store room which required air-conditioning are also packed together into a L-form for energy efficiency.
The movement of the floating foyer which act as an entrance represent the status of the sanctorum is powered by natural energy from tide and water current.

IX.         Structure - Reinterpretation of Traditional wood structural quality
>Wood structure and details is extended and supported by the steel structure. The wood composition details try to reappear the spatial texture of ancient Chinese buildings, at the same, also recall the memory of boat material on the sea. >Steel is use to fulfill the span of the building with wood filled into I-columns and beams for special details construction and decorations. Transfer beams is used to reduce the number of column and also clear up the space on the water surface.
The whole loading transfer system is reinterpreted from Chinese structural style and reapplied into a new situation.
>Concrete foundation into the sea
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